簡(jiǎn)介：多數(shù)人都在城市，是沒多久前，我們來自農(nóng)村可惜的是現(xiàn)代城市鄉(xiāng)村已成大相逕庭兩個(gè)世界有多少人解現(xiàn)在的村？又有少人關(guān)心代農(nóng)村的難處境？村不應(yīng)該都市開發(fā)預(yù)備用地更不是容各種都市避設(shè)施的圾桶。農(nóng)區(qū)域有其主性、神性，是一健全國(guó)家續(xù)發(fā)展不或缺的一份?，F(xiàn)代村並非與市或現(xiàn)代活完全隔，在現(xiàn)代科技與產(chǎn)型態(tài)下，村如何維其歷史、業(yè)、空間文化、生、景觀等色，卻又時(shí)俱進(jìn)，成為全世政府極嚴(yán)的課題。共電視《村的遠(yuǎn)見 / The Eternal Farm Villages》系列紀(jì)錄片，帶領(lǐng)觀眾入世界各的農(nóng)村典。製作團(tuán)造訪了德、荷蘭、國(guó)、日本印尼與臺(tái)數(shù)個(gè)國(guó)家藉由這些家的農(nóng)村典典範(fàn)，發(fā)觀眾對(duì)己農(nóng)村更的想像，從這些心遠(yuǎn)見的農(nóng)、居民與營(yíng)者打拼故事中，見農(nóng)村永發(fā)展的無可能。擁30年紀(jì)錄片製作經(jīng)的寶花團(tuán)，耗時(shí)四，透過第手的材料優(yōu)美細(xì)膩4K影像、溫馨的人與劣勢(shì)突的故事，領(lǐng)觀眾重我們心靈故鄉(xiāng)。Most of us now live in cities; however, not too long ago, most humans lived in villages. Unfortunately, modern cities and farming villages have become vastly different worlds. How well do we really know our villages now? Do we even pay attention to them? Villages should not be regarded as still-to-be developed cities, or waste disposal sites for urban areas. A self-regulated farming village with its own sense of value is indispensable for national sustainability. The separation of farming villages from urban or modern life is not necessary or inevitable. Facing the challenges of modern technology and industry, it is critical for villages to develop without losing their essential nature.This PTS production of ‘The Eternal Farm Villages’ takes the viewer to some of the world’s most exemplary villages. The production team visited Germany, the Netherlands, the Unites States, Japan, Indonesia and Taiwan.The inspiring villages they discovered will expand our horizons, and the stories of visionary farmers, residents and business owners give us a chance to see how sustainability can be achieved.With 30 years of film-making experience, Bowwow Productions spent four years making this documentary series. Combining firsthand materials, 4K resolution footage, charming characters, and inspirational stories, the viewer is transported back to the hometowns we all have somewhere in the back of our minds.
瓊·米拉爾是一對(duì)于60年代非常有才華的婦產(chǎn)科醫(yī)生羅羅她一不懷疑自己的醫(yī)療術(shù)，但是，她卻在個(gè)屬于女主內(nèi)的時(shí)下，面臨自己事業(yè)情感許多問題，看自己的病人每天當(dāng)扈著各自人生在婦產(chǎn)上演喜怒哀樂時(shí)候卻很少有人在乎她個(gè)人的故事，而她她的幾個(gè)朋友在那60到70年代女性主權(quán)改革的時(shí)代又發(fā)生怎樣的人生變？ Love Child is an Australian television drama series that follows the lives of staff and residents at the fictional Kings Cross Hospital and Stanton House in Sydney in 1969. The drama was created by Sarah Lambert and was first...
