Since 1977, Sam Klemke has been recording himself on film, the #selfieavantlalettre. In that same year, NASA launched the Voyager with the Golden Record. Whereas NASA primarily sketches a positive picture of humanity, Klemke's honest self portraits zoom in on the individual. A special film about time, memory and what it means to be human. ‘This year will be my year, it has to be!’ Since 1977, Sam Klemke - a pioneer status updater - has looked back on ‘his year’ using video. With the illusion of progress, he hopes to encourage ‘personal growth and improvement’. Documentary maker Matthew Bate met Klemke on Facebook and became acquainted with his video 35 Years Back Through Time, a super-cut in which Klemke counts backwards from 2011 to his ambitious teenage self. Intrigued by this obsessive film project, Bate used Klemke's personal archive to create a documentary collage that feels like an intimate road trip, with Klemke providing valuable lessons about time. Along the way, he dismantles the dream of success and happiness. Klemke's self-mockery and honesty give the whole thing a light, breezy feel. Through this, Bate interweaves NASA’s Golden Record Project which, just like Klemke’s video project, was launched in 1977. This juxtaposition creates a reflection in which Bate sketches the comprehension of time and self-documenting stories as an inherent human need.
紐約警察和察官的故事跨越15個(gè)春秋，1990年首播，至仍受到億萬眾矚目的長。 law & order第55屆艾美獎(jiǎng)最的遺憾，已續(xù)11年入圍劇情類最佳視劇獎(jiǎng)提名這部熱門電劇，這次卻外地未被提，粉碎了它本想要締造12次提名新高。 本片融警匪與庭于一體的視劇，片中述的犯罪基原于真實(shí)生，往往是近報(bào)紙上的頭新聞。節(jié)目為兩部分，半部分介紹察研究現(xiàn)場征詢證人，審嫌疑犯等系列的偵破動(dòng)，后半部詳盡記錄了件偵破的后工作，案件交到檢查官里，檢查官量案情，起，直到庭審節(jié)奏緊湊，人心弦。由最終壞人不定被繩之于，所以觀眾的時(shí)候往往自捏一把汗 這個(gè)劇集除了已經(jīng)出的15季之外，還包括3個(gè)特別的系，一個(gè)是 Special Victims Unit 系列（6季），一個(gè)是Criminal Intent 系列（4季），和Trial By Jury 系列。可見火爆程度。稱NBC歷史上，乃至美影史上最宏的劇集。 "In the criminal justice system, the people are represented by two separate yet equally important groups: the police, who investigate crime; and the district attorneys, who prosecute the offenders. These are there stories." 這是Law & Order十四年如一，也是我百不厭的開場，是以Law & Order franchise(包括spin-off的SVU)都兼有探員的辦過程跟檢察在法庭上的滔雄辯，這者相互分庭禮成為Law & Order奠定其cop drama之教父地位的獨(dú)特魅，但是近來回看Law & Order，都彷彿只是在等待后小時(shí)的法庭上，也不是前面的辦案不精采，但總要在進(jìn)入訴過程中才出本劇的成、世故，細(xì)精妙處的爐純青；一男女老少兩位察官的不同量而激盪出互動(dòng)、辯證起訴的戰(zhàn)略針往往不只黑白分明的法正義考量而牽扯到背司法制度及偏狹漏洞、微的政治空，Law & Order更不只是關(guān)攝影棚里編天馬行空的奇案件，它回總是不猶地定睛盯上會中的敏感題。 Law & Order: 和L&O: SVU一樣，是Law & Order家族的老大，Wolf Dick的作品。個(gè)覺得它有點(diǎn)一個(gè)drama版的今日說法，當(dāng)然Law & Order要好很多。Law & Order的最大賣點(diǎn)是它的order部分?？磑rder部分對美國criminal law和criminal procedure law有很大的了解?
