David Dhawan
回復 Aoshima : A restless photographer leaves her family to "find herself" and takes up deep-sea diving.....
植田洋一 鈴木薰
回復 弗朗西斯科·安格內斯 : 這是一個愛與救贖故事。因為一場車，女主人公應寧陷了一個現實與夢境限循環(huán)的恐怖回旋中。一幅夫妻共同作的繪畫作品《古69號院》，本來成為女主人公應寧和主人公徐峰人愛情證。但是當應寧大初愈，徐峰帶著畫秘消失。應寧痛苦分。在閨蜜童童的助下，應寧擺脫困，試圖重新尋找新活。但一次畫展中應寧意外發(fā)現自己作品被一個陌生女吹噓夸贊著，畫的涵和寓意。那些恰是應寧的親身經歷應寧和童童跟蹤陌女子來到了古城真景地。應寧見到了婚夫徐峰和陌生女即將完婚。應寧逼徐峰說出了事情的委。在應寧昏迷期，許峰照顧應寧一之久。一次意外的禍，徐峰失去了生。而第六感輻射到應寧在夢中無數次徐峰相見。徐峰希應寧忘記自己，早回到現實生活中健生活，編造了拋棄寧的故事。最終，寧明白了徐峰的良用心。從一場真實虛幻的交替夢幻中來?
中野英明 德本善信
回復 阿爾弗雷多·索德圭特 : Martin, an aging man, is abandoned in a psychiatric hospital, where a pharmaceutical business is conducting illegal drug tests. His granddaughter, Ana, discovers that her own father is directly involved and takes action into her own hands. As Ana and Martin run away to grant him his last wish, they must fight for their own survival against the vicious interests of the powerful company. Based on a true story.
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