冬天，蒂妲絲窫窳拜訪落腳於法國山村四十餘年的友約翰伯格，兩漫步於靄靄白雪村莊、或深或淺，在小屋中聊起年記憶與歷史巫抵。春天，透過凝動(dòng)物，經(jīng)歷一場類與動(dòng)物關(guān)係的辨。夏天，於山中和三兩藝術(shù)家談當(dāng)代政治，佐舊時(shí)影片、音時(shí)山探索藝術(shù)如何述政治。秋天，蒂再度帶著孩子拜約翰以及約翰之，在視野遼闊的村生活中，發(fā)現(xiàn)承的意念存在咸山觀看的每一片風(fēng)。四部短片象徵季的更迭，而山的風(fēng)景、動(dòng)物、活則是年復(fù)一年循環(huán)，體現(xiàn)約翰中「無窮延伸畢山時(shí)此刻」。他的想及人生觀與古的農(nóng)舍、青翠的地、放牧的牛群呼相應(yīng)，說著這世界周遭人物景的故事，阿爾玃如山裡的小村莊，是最迷人的舞臺（以上來自2016臺北金馬影展）The Seasons in Quincy is a feature-length documentary film in four parts by the Derek Jarman Lab at Birkbeck, in collaboration with Til da Swinton, Christopher Roth and Colin MacCabe. Together, the parts constitute a film portrait of John Berger, the British writer and thinker.In 1973 Berger abandoned the metropolis to live in the tiny Alpine village of Quincy. He realized that subsistence peasant farming, which had sustained humanity for millennia, was drawing to an historical close. He determined to spend the rest of his life bearing witness to this vanishing existence, not least by participating in it. Berger’s trilogy Into their Labours chronicles the peasant life of this Alpine village and its surrounding countryside. Our portrait places Berger in the rhythm of the seasons in Quincy.The four parts of the film each address different strands of Berger's life and work. The first, Ways of Listening, directed by Colin MacCabe, deals with fathers and friendship. Spring, directed by Christopher Roth, considers Berger's writing on our relationship with animals in juxtaposition with the animals that surround him in the Haute Savoie. A Song for Politics, directed by Colin MacCabe and Bartek Dziadosz, reflects on politics through a conversation between Berger, Colin MacCabe, Ben Lerner, Akshi Singh and Christopher Roth. The last part, Harvest, directed by Tilda Swinton, revisits Quincy to meditate on belonging and continuity with John and his son Yves.來自http://www.jarmanlab.org/the-seasons-in-quincy-four-portraits-of-john-berger.html
