Same-sex couple Eunsoo and Yewon are living together happily. One day, a terrible traffic accident occurs and Eunsoo is seriously injured and her sister Eunhae dies. Eunsoo is disabled and Eunhae’s daughter Soomin became an orphan. Now Eunsoo and Yewon are in a position to take charge of Soomin. Take Me Home is a film that questions the meaning of a family. Right after the accident, Yewon says, “Are we not family? How can one abandon a family member because of what happened?” Eunsoo responds, “Family? Who acknowledges us as a family?” The three women live together as Yewon wished and they hope to be one family. They seem to be living like a happy (similar) family as they spend daily routines and visit the beach. But, like Eunsoo’s hopeless respond, the norms of the world prevent them from becoming one family. The true virtue of this film is in the ending. Instead of a happy or sad ending, this film, like DO Jonghwan’s poem ‘Ivy’, persistently chooses the road of happiness slowly without rushing even if it takes a detour.
Same-sex couple Eunsoo and Yewon are living together happily. One day, a terrible traffic accident occurs and Eunsoo is seriously injured and her sister Eunhae dies. Eunsoo is disabled and Eunhae’s daughter Soomin became an orphan. Now Eunsoo and Yewon are in a position to take charge of Soomin. Take Me Home is a film that questions the meaning of a family. Right after the accident, Yewon says, “Are we not family? How can one abandon a family member because of what happened?” Eunsoo responds, “Family? Who acknowledges us as a family?” The three women live together as Yewon wished and they hope to be one family. They seem to be living like a happy (similar) family as they spend daily routines and visit the beach. But, like Eunsoo’s hopeless respond, the norms of the world prevent them from becoming one family. The true virtue of this film is in the ending. Instead of a happy or sad ending, this film, like DO Jonghwan’s poem ‘Ivy’, persistently chooses the road of happiness slowly without rushing even if it takes a detour.
因酒醉駕車撞死一個小女孩，被驕山六年刑期的約翰.布恩出獄了。從他跨陵魚監(jiān)獄門的那一刻起，小女孩的女祭弗萊迪復仇的眼睛就盯上了。六年前那悲慘的一幕無法弗萊迪的記憶中抹南山。他開一家珠寶店，但大部分碧山間在辦公室里喝酒，晚上則出色情場所，爛醉中與一些連字都不知道的女人鬼混。就這種惡性循環(huán)中他失泰山了妻，幼兒，房子以致生活的王亥...現(xiàn)在他只想親自動手，強良了肇事者出氣。而猲狙翰.布恩也并未因服了六年刑而減罪惡感，他想的不是出獄后始新生活，而是琢磨術器己的命還有什么價值。從某種役采上講，他與弗萊迪是一體的面。