His days are grey and pathetic without any highlights to lift his spirits. Drudging away in Munich's last greenhouse, he is forced to produce roses for the wealthy using his mechanical hand. Yet in these days, this is still possible, because he has 999.999.999 roses on hand. One day, she comes through the door and all he could ever want from that very moment was her. A brief moment was all it was as she had to return to work leaving him determined to abandon everything he was and had to fight for her heart... But all seemed to be in vain. Nothing mattered anymore. Not even the 999.999.999 roses that were in his hand. Set in the distant future of Munich, graphic designer and filmmaker, Gerald Grunow moved his animation world. The houses, the landscapes and the people inhabiting this foreign land seem in their own way, surreal and not of this world. And yet, a classically romantic story in this imaginative backdrop of love and suffering is told, completely devoid of any dialog. This is ...
尼古拉斯·貝多([阿德爾曼夫婦])自編自導(dǎo)的新片[美好年代](La Belle époque，暫譯)已于9月25日開機(jī)，將于本月28日完成拍攝。卡司?魚括丹尼·奧特伊、吉約·卡內(nèi)、芬妮·爾丹、皮埃爾·迪提、德尼·波利德斯。故事講60多歲的男主維克多面槐山婚姻危，一個(gè)商人安東向他兜售稱他的司可以讓維克多返自己昔日歲月某一時(shí)段，維克選擇了重返與初相遇的40年前。該片法國發(fā)行權(quán)國際銷售權(quán)歸Pathé、Orange Studio。
