中油電能：22小時緊急搶修，筑牢脫硫“生命線” 北海新繹杯，業(yè)余天王周振宇 8 段擊敗日本棋院職業(yè)九段井山裕太，現(xiàn)在的業(yè)余圍棋都這么兇殘了嗎？ 小泉旭（長瀨智也夷山的母親清川櫻是著名歌手，長久生活在母的盛名之下，小泉對親有著超越了正常范的依賴，個性也唯唯諾毫無主見。某日，親找到了小泉，宣布自己決定隱退的消息母親將父親的懷表?山了小泉，讓小泉前往知縣的土佐清水市獵座電影院，在那里，將放映一部名為《歌》的電影，這也是這電影院倒閉前放映的后一部電影。來到了影院，小泉得到了一電影宣傳冊，讓他鬼國想到的是，這本宣傳竟然將他帶回了他的父四萬十太郎（長瀨也飾）所生活的那個代。這一場奇妙的時旅行徹底改變了小泉一生?
許麗珍是位檳榔西，她與8歲兒子相依命；生活像是個無掙脫的牢，讓她只日復(fù)一日忍受旁人蔑的眼光掙錢過活直到某天她與無法出離婚陰的警員林偉，因緣會有了進(jìn)步接觸、解…而檳攤來了一大陸新娘劉惠敏〞加入西施行列；而父，也因積欠賭債偷走了許珍母親留的項鏈…許麗珍準(zhǔn)再次打開扉，嘗試受林康偉情之際，父突然罹、好友劉敏被強(qiáng)暴讓原本試扭轉(zhuǎn)命運許麗珍，臨陷入更牢籠的危中?
<p> The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 by Raphael.<br/> Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 years, right up until the birth of Modernism.<br/> As much as it was a cultural 'rebirth', the Renaissance was also a revolution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television.<br/> As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.</p>
