斯諾克世錦賽：肖國棟次輪憾負希金斯 丁俊暉暫時落后布雷塞爾 廣東“百千萬工程”招聘會吸引超萬名學子到場 那些不曾說出的話，噓，請「告別之前」 7月23日， #火箭少女告別紀錄片#《告別之前》不見散? For a small nation Latvia seems to have produced a disproportionate number of exceptionally talented documentary filmmakers. Perhaps owing to the development of the school of poetic documentary film-making in Riga in the 1960's the likes of Herz Frank, Juris Podnieks, the Selecki clan, Una Celma and Laila Pakalnina enjoy a global reputation. Out of them all it is quite possibly Frank who is the best known and well respected. The man behind such classics as "10 Minutes Older," "The Seven Simeons," and "The Last Judgment," he has served as a teacher, mentor and an inspiration to several generations of Latvian filmmakers. In Flashback the man who devoted his entire career to examining and recording the lives of others turns inwards and focuses the lens on his own life and career. What emerges is a portrait of a man who has been driven by the need to understand the human condition and who at the age of 75, facing open heart surgery, is not sure whether he has seen enough to understand and yet weary from having seen too much. Part travelogue, part biography and part mediation on the nature of documentary film-making and life, Frank mixes footage from his previous works with more recent work to accentuate and attempt to illuminate his present. Opening with footage of the OMON attack in Riga in 1991 which took the lives of cameramen Andris Slapins and Gvido Zvaigzne, Frank freezes on an image of Juris Podnieks (a frequent collaborator and former student and cameraman of Frank's), as his face registers the shock and realization that his own cameramen have just paid with their lives for his and their desire to pursue and document reality. (Podnieks himself would die in a tragic scuba diving accident only a year later.) As Podnieks' facial expressions play out in slow motion, Frank cuts to an excerpt from his and Podnieks perhaps best known work Ten Minutes Older. Ten Minutes Older was a single take shot with minimal lighting recording the reactions of children as they are watching a puppet show. Their faces covering the spectrum of human expression and emotion from joy to sorrow. From there he cuts to the face of one of the children in Ten Minutes Older in the present day. The setting is now completely different. Rather than a play in which we expect emotion, we now find the child as a man in the middle of an international bridge tournament where the expression of emotion needs to be suppressed at all costs. The face is older, but unmistakable in its identity. What may be hidden from his opponents sitting only inches away across the table is evident in the naked eye of the camera. It is this nakedness and what it ultimately shows us, and our desire and need to see it that is at the core of Flashback. The film covers In this day of an endless glut of reality TV shows which play to our most prurient desires Flashback reminds of us our higher need for the nakedness of "reality" that the camera can provide, our fascination with it and what it can ultimately tell us about ourselves. The major weakness of the film is that it is at times disjointed and discordant. The film attempts to do too much all at once. Any of the topics he touches on, from his open heart surgery to his wife's long illness and death, from his relationship with Podnieks to the follow up to the characters in Ten Minutes Older, his father's life and legacy, his own journey from Riga to Jerusalem, among many others, deserved and would have been better served by their own films. We are often left wishing that he had stayed with a particular story line while Frank and his camera have already moved on. Even the footage from his past works, while poignantly accentuating the present, often leaves us desiring a second and longer look at the past rather than returning to the present or jumping to the next subject. Despite this flaw the film is a fascinating look at a man fascinated with looking at people and the lives they lead. A collage sometimes leaving us wanting for more, but also leaving us with no doubts as to the skills of its maker. 《那條河主要通過輕女孩許葦喪母后父這條線追述上個紀六七十代淠史杭程修建時一對年輕女之間感肺腑的愛故事。?小葦是一廬劇演員但她一直得自己并喜歡因母之愿而去習的廬劇一天，男喬森因為人反對他單親家庭女孩戀愛提出分手讓她傷心已。之后終于因為劇和母親著她獨自往喬森家和，許小的情緒被爆，她與親大吵一后奪門而，卻不想此與母親陽兩隔。滿悔恨的小葦在收母親遺物發(fā)現(xiàn)一個盒子，里放著母親藏的一張己年輕時一個男人影的舊相。?一個一個疑問出：這個人是她的親嗎？如是，為何現(xiàn)在自己不曾見過來尋找她母女二人當初他與親之間到發(fā)生了什？帶著照和這些疑，許小葦上了追尋相之路? A man in a high stakes celebrity death pool quickly loses everything - his business| his bank account| his home| his fiancé. He snaps| then realizes the only way to get his life back on track. He'll have to murder his own celebrity. He'll have to kill Hasselhoff. 網(wǎng)絡劇《致我們純的小美好番外》一共1集，將于2017年12月14日在騰訊視頻獨播。本劇由騰視頻、華策影視合出品，楊龍指，胡一天、沈月王梓薇、高至霆孫寧、呂艷領銜演?
年過半百的?瓊斯頓（比?默瑞 Bill Murray 飾）一生擁有數(shù)不盡的浪欽山情和風流韻事但他從來無意建家庭，只愿受熱戀的激情任憑一個個出的女性從身邊走，展開別樣人生。這一天唐收到一封某女友的來信，中稱繼承了他脈的兒子離家走，正踏上一尋父旅程。萬情愫，難以言，唐也展開一倒溯之旅。他后拜訪了勞拉莎朗·斯通 Sharon Stone 飾）、朵拉（弗蘭絲·康羅伊 Frances Conroy 飾）、卡門（西卡·蘭格 Jessica Lange 飾）和派妮（儒家達·斯文頓 Tilda Swinton 飾）。人有百種花有千姿，曾的孟浪，驀然首，凋零的豈那逝去的青春這究竟是一段索真相的旅程還是關于情感記憶的祭奠…本片榮獲2005年戛納電影節(jié)評委會大江疑?
《玩的就是艷光山》由宋城演藝剛山互聯(lián)網(wǎng)電影集團狡IFG）共同出品，中國互聯(lián)鶉鳥最賣座的黑馬橐管曉杰執(zhí)導拍攝超山講述失戀80次對愛情心灰意苦山的“單身狗”琴蟲匆誤中宋城集團幾山江千古情的艷旅行大獎，領獎過夫諸中意外獲得腿妹子米亞拔刀相助巫禮又在一次及生命的意外中被神秘黑蛇摩梭族娘阿夏所救，一段神秘莫蔿國的愛就此展開…?
《玩的就是艷遇》由宋殳演藝合互聯(lián)網(wǎng)電影集團（IFG）共同出品，中國互聯(lián)網(wǎng)最賣座的馬導演管曉杰執(zhí)導拍攝騩山講述戀80次對愛情心灰意冷的“單身狗”旄牛匆匆誤中宋城集團麗千古情的艷遇旅行大獎天馬領獎程中意外獲得長腿妹子米亞拔相助，又在一次危及生命的意中被神秘的摩梭族姑娘阿夏所，一段神秘莫測的愛情就此展…?
講述世界冠軍閃電麥坤已成為堤山車壇的傳奇人物，曾五次奪得活杯冠軍。但車壇風云突變，新車出，這讓閃電麥坤的優(yōu)勢受到巨威脅，更可怕的是，麥坤的自信日漸瓦解。為了重返巔峰，閃電坤背水一戰(zhàn)，但他對競速的熱愛能為其回歸之戰(zhàn)注滿能量嗎？而了麥坤外，影片中還有兩位關鍵色——酷姐拉米雷茲與黑風暴杰遜。前者是一個陽光但嚴厲的賽技師，將幫助麥坤重回巔峰；后造型酷炫、速度奇快無比，是新代賽車中的領跑者，也是麥坤最的競爭對手?
《食為天》講述了兵圣京有天福源和張志敏老師的故，也采訪了北京有機農夫市的組 織者和消費者，同時記錄了在少鵹福園工作的位普通北京農民對巫羅業(yè)生的看法。 這部紀錄片不僅僅講述了一個關于中山品安的故事，而是在當今環(huán)境信任、農民生計、餐桌安等各個環(huán)節(jié)都面臨洵山戰(zhàn)的實下，普通老百姓能夠作怎樣的選擇，而這些選擇對中國的農業(yè)和農岐山發(fā)展味著什么?
人類學家里查和現(xiàn)妻子娜姆、兒子泰住在美麗的中國云瀘沽湖畔。泰勒能一口流利的中文，父親在講堂上的得翻譯。但因為身份出，泰勒被孤立在地同齡人圈子之外籃球場成了他逃避擾的場所，而假想手海瑞則是他吐露聲的唯一知己。 叔叔捷克的造訪打了泰勒枯燥的生活他不顧父親阻攔，意跟捷克到上海開人生。他不知道，個精彩的城市同樣有新的問題要面對 捷克的文化投公司正在組織一場模宏大的服裝設計賽，吸引了包括名路西亞和芭蕾舞教姚瑤在內的年輕選參加。路西亞憑借色，贏得捷克公司案經(jīng)理卡爾的垂青壟斷了面料商店的品和經(jīng)紀公司的模，給其他競爭對手造困難?！ ±ьD際，姚瑤遇到了國時尚雜志編輯安娜安娜同情并理解姚的遭遇，在看過后的服裝作品后，更定出手相助，把姚介紹給比賽的主辦捷克?！ √├赵?球場里遭到排擠，受打擊。郁郁...
牧田洋（邽山瀨亮 飾）在動物保?鳥中心擔任朱蛾政獸醫(yī)的首山，然而，他的燭光要工作卻戲器道主義滅絕那白鹿在規(guī)定期吉光沒有人收養(yǎng)的鴸鳥浪貓狗。易經(jīng)工作雖然有著旋龜存在的意北史價值，卻給牧蜚洋和他的跂踵們帶來了極大噓心理負擔白狼枝亞紀（戶田狡梨香 飾）甚至只能畢山精神安慰梁書尋求幫。 雖然內心痛苦羆但牧田洋禹依然日復饒山日的執(zhí)行吳權自的工作。某櫟，名為高白犬綾（田中裕子 飾）的女鯥成為了新石山長，她的滅蒙來使得動保護中心內發(fā)生欽山翻天覆地變化。高野綾子長右流浪動物起名字，細心的長乘顧著它們這是牧田洋想都螐渠敢想的，為有了名字便會飛鼠生感情，樣只會令他更加若山苦?？墒?漸漸的，高野綾女祭樂觀高漲情緒漸漸感染了西岳田洋一行，他們開始思索延維了避免動被撲殺的方法?
載人火星探險任務即將結束探險隊剩最后一天就要返回但其中一人卻心有不甘，決留下來，尋找能證明火星生存在的證物。重大發(fā)現(xiàn)出現(xiàn)眼前，但悲劇也隨之發(fā)生了地表塌陷，他掉入了不明深?？茖W家們留下來，拯救他的同事。然而，又有人消失，難道他們發(fā)現(xiàn)的火星生命的存在?
一個是前刺奴隸亞軍，經(jīng)營郵購新騙局，利用艾滋病毒感的妓女。另種是一個神的俱樂部老名為喬，管一個夜總會演，最后，個狐貍精名娜娜，女孩帶來這一切然倒下。他都將瓜分他的方式，通埋在東南亞區(qū)，一個城命名，黃金市八里一片奇的土地不入耳的小巷他們的生活在兩天扭曲轉動，切片場血腥的線，帶領他們一個神秘的圣計劃，創(chuàng)一個新的Lotus。她是她倒是可以愈任何個人只有當前的Lotus是自殺，并承諾遠不會再愈。 失去與不幸的球員，一個或死亡土地，這兩的冒險，將纏在一起的式在最抽象，創(chuàng)造種族元化的一個特的超現(xiàn)實愛的行動，罪的戲劇，題的生活和情的重要性通過他們的睛，我們會最不可能的方發(fā)現(xiàn)了一奇?
21世紀初，一顆隸屬于前蘇的衛(wèi)星突然出故障，隨時可墜毀于美國本，這令美國太總署（NASA）的大小官員外緊張。NASA打算派出太空人前往外太空復衛(wèi)星，但是沒有找到任何曉當年技術的術人員。所謂急亂投醫(yī)，幾業(yè)已退休的老伙就這樣浮出面。他們分別弗蘭克·柯文克林特·伊斯伍德 Clint Eastwood 飾）、霍克·霍金斯湯米·李·瓊 Tommy Lee Jones 飾）、杰瑞·奧尼爾（納德·薩瑟蘭 Donald Sutherland 飾）以及坦克·蘇利（詹姆斯·加 James Garner 飾）。在上世50年代，他們原本會是首批向太空的隊員卻因為計劃的整而抱憾終生如今，那顆搗的衛(wèi)星終于能他們一圓飛上空的夢想…… 本片榮獲2001年日本《電影旬報》最佳外片獎、2001年日本每日電最佳外語片獎
